‘Gong’ Covered Ritual Wine Vessel with Tiger and Owl Decor, Chinese Shang Dynasty, cast bronze, 13th century BCE, Sackler Museum – Harvard University, Boston [7746×6522] [OC]
‘Gong’ Covered Ritual Wine Vessel with Tiger and Owl Decor, Chinese Shang Dynasty, cast bronze, 13th century BCE, Sackler Museum – Harvard University, Boston [7746×6522] [OC]
> Although there are no contemporaneous records explaining the meaning of the decorations on Shang bronzes, the preponderance of zoomorphic motifs and the emergence of animal-shaped vessels made of bronze or jade are clear indications of the importance of animals in the repertoire of Shang artisans. The principle Shang motif was the animal mask, referred to in later texts as a taotie. This enigmatic image (seen repeatedly on vessels in the adjacent cases) is not identifiable as any one beast but appears to be a composite of creatures both real and imagined, with two stark eyes, horns, ears, and fangs. During the late Shang period (14th–11th century BCE), animal-shaped vessels began to be cast, perhaps in response to zoomorphic bronzes introduced from southern China. The guang wine vessel displayed here is a magnificent example — it cleverly incorporates a tiger at the front of the vessel and an owl at the back handle; the animals’ heads are represented on the lid and their more subtly rendered bodies are on the vessel.
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> Although there are no contemporaneous records explaining the meaning of the decorations on Shang bronzes, the preponderance of zoomorphic motifs and the emergence of animal-shaped vessels made of bronze or jade are clear indications of the importance of animals in the repertoire of Shang artisans. The principle Shang motif was the animal mask, referred to in later texts as a taotie. This enigmatic image (seen repeatedly on vessels in the adjacent cases) is not identifiable as any one beast but appears to be a composite of creatures both real and imagined, with two stark eyes, horns, ears, and fangs. During the late Shang period (14th–11th century BCE), animal-shaped vessels began to be cast, perhaps in response to zoomorphic bronzes introduced from southern China. The guang wine vessel displayed here is a magnificent example — it cleverly incorporates a tiger at the front of the vessel and an owl at the back handle; the animals’ heads are represented on the lid and their more subtly rendered bodies are on the vessel.
A bunch of alternate angles at the museum page:
https://harvardartmuseums.org/collections/object/303630