Before filters were a thing, traveling photographers offered touch ups

    by uncertaincucumbers

    22 Comments

    1. uncertaincucumbers on

      I have many of these photos from a museum. My last post got removed, idk why.

    2. haltiamreptaar on

      Just like modern before and afters, the photos on the right are also shot in less flattering lighting and from a worse angle than the touched up ones, which helps the touched up ones look even better.

    3. Ooh I wonder if the bottom photo is of a trans woman? Would be really cool to have a pic of a trans woman from so long ago.

    4. uncertaincucumbers on

      Some of these originals are very strange. The pupils, skin texture and especially the appearance of the children. I definitely realize that photography was new back then as were touch ups but I just can’t explain some of the details. Very weird

    5. TrynaCuddlePuppies on

      My mom has a photo of my grandma where if you look from the side you can see the texture of the paint they used on her lips and eyes to for touch ups. Pretty neat.

    6. My step mother (now 86) grew up in a family with an uncle that had a portrait studio. Her mother was the person that did all the touch ups. This would have been in the 30’s -50s

    7. These look less like touch-ups and more like retakes. The subject on top is rotated like 20° between the two shots.

    8. yarn_slinger on

      My mom used to get so frustrated with my dad because he’d manage to close his eyes every single time and the photographer would have to paint eyes on him or they’d never get nice pix.

    9. ExpiredPilot on

      I wish I had the picture but one of the first instances of photoshop was from some guys in my fraternity.

      They were able to layer photos on top of each other to make it look like Carrie Nation had a beer and cigarettes next to each other

    10. It’s not possible to do this level of work solely by dodging and burning during printing.

      To achieve this detailed result, the image was directly manipulated on the negative, prior to printing. Sharpened pencils, and fine brushes with ink or dyes could darken parts of the negative, lightening them in the print; and needles or fine blades could scrape away emulsion and silver to lighten areas, darkening them in the print.

      Finally, last touches could be added to the print itself, using essentially the same techniques, often to blend or disguise any artifacts from the negative retouching.

      If it sounds like this was slow, painstaking work, it was.

      In the 1940s, the Adams Retouching Machine was invented. This featured a light-box to illuminate the negative from behind; a padded support ring for your hand, making it easier to work without touching the negative; and a holder for the negative which vibrated in tiny circles, making it easier to blend the brush and pencil work.

      Look at a hi-res copy of any movie star portrait of that era, and you’ll quickly learn to spot the telltale texture of the hand retouching. It was even possible to manipulate the outline shape of bodies or faces with these same techniques, for the same result as with warping tools today.

    11. Looking at old year books I wouldn’t be surprised if the lady on top was 25 and the one on bottom was 16

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